While the A7R IV boasts better autofocus tracking, the A7S II dominates low light performance (one reason why the model has been used on countless Netflix and BBC Earth productions.) Most strikingly, when you compare the video specs to the A7S II (a camera that came out four years earlier), practically both cameras have the same video specs: resolution options, bit rate and bit depth, and frame rates. ItвЂ™s only when you use the cropped Super 35 mode that you get oversampled quality. While the full-frame sensor may be appealing, at 4K full-frame, you donвЂ™t actually get the best possible video quality. The A7R IV continues takes this to impressive levels, but I donвЂ™t think autofocus tracking is going to be the draw for filmmakers spending $3,500 on a camera. Since the a6400, one of SonyвЂ™s biggest cards to play is their real time focus tracking. But, not having 4K 60fps and 10-bit output in a $3,500 camera isnвЂ™t a great selling point. ItвЂ™s not overly excellent for the cost of the camera, but then the footage produced from the camera isnвЂ™t exactly bad. Overall, you could say the specs are okay. And, if you can find it, it also houses SonyвЂ™s S-Log and Cine profiles - to maximize highlight and shadow latitude, along with increasing post color grading capabilities. ItвЂ™s just that, usually, one model will have that extra feature that sets it higher than the other lines. However, each line is still proficient with either stills or video. And, if you were categorizing each group of cameras, I think you could reasonably say that they categorize as follows: But, in brief, you have the 7 model, 7S, and 7R. As technology develops at a rapid pace, you may have a next-generation model thatвЂ™s more focused on photographers suddenly becoming better than the model geared toward videographers. The Alpha 7 line can be tricky to understand - at the best of times. In our recent tutorial on the Fisher Dolly 10, a Blackmagic Pocket Cinema Camera 4K was the A-Cam, with a Sony A7III B-Cam, and the colors matched almost seamlessly. However, as the Sony Alpha 7 line boasts impressive video capabilities, itвЂ™s hard not to acknowledge that, if needed, you have a pretty great B-Cam on hand. While itвЂ™s undoubtedly a powerful stills tool, how does it fare in video mode?ДЄs with the A7 III, I purchased the A7R IV as a photography camera - first and foremost - with no real intention of ever switching the mode dial to video. The A7R IV swept up several end-of-year awards, such as DPReviewвЂ™s Best of the Year Awards, and the Digit Zero1 Award 2019 for best high-performing mirrorless camera.

SonyвЂ™s A7R IV camera is loaded with features and makes an impressive stills tool.ДЄlong with the 61 MP sensor, the camera also boasts a ton of other features, such as Pixel Shift Multi-Shot, 500 phase-detect AF points, full-resolution images at up to 10fps, and, well, the list goes on.

I, being a tech lover (of course), ordered it. Some argued that the specs were a little too extravagant others loved the idea of owning a somewhat-faux medium-format camera - without the medium-format price tag. In 2019, Sony announced (and subsequently released) the Sony A7R IV - the successor to the A7R III (of course), which houses a 61-megapixel sensor, making it the largest full-frame mirrorless camera on the market. With the recently released $3,500 Sony A7R IV towering over all other models in price and specs, you might jump at the chance to purchase it, thinking itвЂ™s the best filmmaking option out there. With SonyвЂ™s Alpha 7 Line, itвЂ™s not so clear-cut. And, the 6K Pocket Cinema model, of course, offers a higher resolution than the 4K model. The Blackmagic Pocket Cinema Camera 4K superseded the original Blackmagic Pocket Cinema Camera. ItвЂ™s almost a given that when a new camera model comes out, its features will surpass the model that preceded it. In this review, weвЂ™ll discuss the quality and affordability of SonyвЂ™s Alpha 7 Line - past, present, and future - with an eye to its video capabilities.

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